Edited from Creative Dance Elements of Dance Space: refers to the space through which the dancer’s body moves (general or personal space, level, size, direction, pathway, focus). Low movements in the space o Whether their movements were big or small. O Whether they noticed any type of. Sparke: Dance Movements, mvt 1. Hindemith: Symphonic Metamorphosis, mvt 3, solo. Rossini: William Tell Overture (band key). Microsoft Word - Band Audition. Embodying the Elements of Dance Space: • Ask students to move through the space in specific line shapes (straight, curvy, diagonal, zig zag, vertical, horizontal) • Have line shapes on individually written on a card, divide students into 4 groups and have each group pick one card from which to create a sequence that moves in the line. Tags: brass band, de haske, concert band, philip sparke. Psychology of Perfectionism in Sport, Dance and Exercise. An Evening With The Alvin Ailey American Dance.

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A-K[edit]

Ball change[edit]

The turn of a foot that is in fifth position. We mostly use this in jazz.

Basic figure[edit]

Same as Basic movement

Basic movement[edit]

Basic movement is the very basic step that defines the character of a dance. Often it is called just thus: 'Basic Movement' or 'Basic Step'. For some dances it is sufficient to know the basic step performed in different handholds and dance positions to enjoy it socially.

Basic step[edit]

Same as Basic movement.

Box step[edit]

Box Step is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in American Style ballroom dances: Rumba bronze-level Foxtrot. The leader begins with the left foot and proceeds as follows.

First half-box: Forward-side-together

Second half-box: Backwards-side-together

Every step is with full weight transfer. during the second and fourth step it is advised the foot to travel along two sides of the box, rather than along its diagonal.

Rhythm varies. E.g., it is '1-2-3,4-5-6' in Waltz and 'Sqq, Sqq' in Rumba.

Chaines / Chainé turns / Chaines turns[edit]

See Glossary of ballet terms#Chaînés.

French for 'chain', a series of quick turns on first position alternating flat or relevé feet with progression along a straight line or circle. A Chainé turn is when you stand on relevé and turn.

Chasse[edit]

Chasse is a dance step with a triple step pattern used in many forms of dance. It is a gliding, flowing step with the feet essentially following a step together step pattern. Timing and length of steps vary from dance to dance.

Closed change[edit]

Closed Change is a basic step in the Waltz. The man steps forward on either foot whilst the lady steps backward on the opposing foot (e.g.: the man steps forward on his right foot whilst the lady steps back on her left). They will then step to the side on the other foot, and conclude the figure by closing the first foot beside the second (hence the name 'closed' of the step). Each step takes up a full beat of the music.

Cross-body lead[edit]

Cross-body lead is a common and useful move in Latin dances such as Salsa, Mambo, Rumba and Cha-cha-cha. Basically, the man on counts 2 and 3 of his basic step (assuming dancing on 1) does a quarter-left turn (90° counterclockwise) while still holding on to the woman. On counts 4 and 5, he leads the woman forward across him, i.e., firmly leads her with his right hand on her back, so that she travels across and turns around and faces the opposite direction she was facing. At the same time, the man does another quarter-left turn as necessary in order to follow the woman and face her. At the end of the move, the dancers have their positions exchanged.

The cross-body lead can be done with single-hand or double hand hold, with or without a woman's underarm turn, or leading the woman to do a free spin.

Dos-à-dos, Dosado[edit]

Dosado is a circular movement where two people, who are initially facing each other, walk around each other without or almost without turning, i.e., facing in the same direction (same wall) all the time.

Enchufla[edit]

This is a dance movement common in salsa, where the two dance partners facing each other change positions. The dance partners keep contact with one or two hands while stepping to rotate concentrically over 180 degrees around the same point in opposite directions.

Feather step[edit]

The Feather is a basic figure in International StyleFoxtrot, in which the man makes three or four steps basically forward, with the third one (right foot) done outside the lady.

Floss (dance)[edit]

Free spin[edit]

In lead and follow dance, a dance turn performed without partner contact.

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Gancho[edit]

'Gancho' means 'hook' in Spanish and describes certain 'hooking actions' in some dances of Latin American heritage, in Argentine Tango (leg action) and Salsa (arm action and foot action) in particular.

Grapevine[edit]

See Grapevine (dance move).

Heel turn[edit]

A ballroom dance move, which is the turn on the heel of the support foot while the other foot is held close and parallel to the support one. At the end of the turn the weight is transferred from one foot to another.^[1]

Heel pull[edit]

A variant of the #Heel turn, in which the feet are kept apart.^[1]

Inside partner step[edit]

A step taken forward into the space occupied by the partner, while the partner steps backwards. During this step feet tracks of both partners overlap. See also #Outside partner step.

Inside turn[edit]

The term is applied to an individual turn of a partner in the couple. Basically, it denotes a turn where the arm of the partner doing the turn begins by moving towards the 'inside' of the couple (the line running from the center of one partner to the center of the other). The meaning is intuitively clear, but it may be performed in numerous ways and in different handholds, so that even accomplished dancers are confused. In dances such as swing and salsa, inside and outside turns most commonly refer to underarm turns done by the follower. Since in these dances the follower's right arm is normally used to lead a turn (most commonly by the leader's left arm, but sometimes by the leader's right arm when a cross-hand or 'handshake' position is used), an inside turn is normally a left (counter-clockwise) turn, while an outside turn is a right (clockwise) turn. However, if the follower's left arm is used to initiate the turn, the intended direction of turning may be opposite. (Altern

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